Jim Jones, Podcasts, and Pod Beef Shenanigans 🔥 Ayo, let’s talk about it. Jim Jones been on a podcast press run like he tryna collect Infinity Stones for the culture. Bro out here poppin’ up on every mic like it’s a rap tour—but instead of bars, he droppin’ spicy commentary. The streets say he tryna build buzz for his new pod with Maino, Fabolous, and Dave East—basically the Avengers of NYC rap. No capes, but heavy on the drip. But hold up… somewhere in the mix, Jim took a lil detour to throw shade at Cam’ron. Yeah, Killa Cam. Apparently, Jim questioned Cam’s legendary “Gettin’ It in Ohio” story, talkin’ like Chubbie Baby ain’t cosign it. RIP Chubbie Baby, but let’s not act like we ain’t see the footage, hear the stories, and watch Cam show love to Chubbie on his show. That man was stamped. Jim tryna rewrite Dipset history like he the hood historian—but we remember. Then Jim slid over to Memphis Bleek’s podcast and started talkin’ reckless about Tony Yayo. Like… huh? Yayo ain’t...

  ">Jim Jones vs. Nas: Influence Over Bars? Lately, Jim Jones has been stirring the pot, claiming he’s had more influence on the culture than Nas. At first glance, that might sound wild—especially to hip-hop purists—but depending on your age, region, or what era you came up in, he might not be entirely wrong. Let’s break it down. Cultural Influence: Different Lanes, Same Highway Jim Jones isn’t trying to out-rap Nas. He knows that lyrically, Nas is in a different stratosphere.  Illmatic ,  Stillmatic ,  King’s Disease —Nas has built a legacy on storytelling, lyricism, and timeless records. But Jones is talking influence, not bars. And when it comes to cultural impact, especially in the 2000s, Jim Jones had the streets on lock. Tracks like  “We Fly High (Ballin’)  and  “Baby Girl”  were club anthems. Dipset’s swagger, fashion, and attitude were everywhere—from oversized Ed Hardy tees to the rise of Purple Sizzurp and flas...